Rss

  • redit
  • delicious
  • stumble
  • youtube

Archives for : Bradley Cooper

The A-Team

June 11, 2010

Director: Joe Carnahan

Starring: Liam Neeson, Bradley Cooper

Release Date: June 11, 2010

Fools Will Be Pitied

One thing’s for sure: there’s certainly no shortage of ridiculous action movies in Hollywood these days.  From the recently released Prince of Persia to the upcoming Knight and Day, it seems that studios are taking the formula traditionally used to brew a summer blockbuster and lacing it with nitroglycerin.  Instead of a single grand finale that serves as an action centerpiece to wow audiences, movies are now tying together one out-of-control sequence after the other.  Joe Carnahan’s most recent film—The A-Team—is certainly no exception.

I suppose I should make it clear from the outset that I never watched the TV show.  Because of this, I can’t really comment on whether or not this modern take on what I can only imagine was a hammy series is faithful to its source material. There’s a Mr. T replacement (Quinton “Rampage” Jackson), complete with a mohawk and two knuckle tattoos which read “PITY” and “FOOL.” A quick aside: does he literally “pity fools”?  Because, in my limited experience with this character, he seems to be consistently “punching fools” or “kicking fools,” but rarely “pitying” them.  Anyway, Hannibal, the grizzled Army Ranger who’s always gnawing on a stogie, is here too—this time he’s played by Liam Neeson. a_teamThere are two other guys named Face and Murdock, brought to life by Bradley Cooper and Sharlto Copley (of District 9 fame).  One’s cocky and one’s crazy.  There’s also a story, and it focuses on some stolen plates used to print American currency, a conspiracy that’s designed to setup our ragtag protagonists, and the resurgence of an old love interest.  Along the way one major plot twist is thrown in our direction, and it’s probably a little bit smarter than you’d expect from a movie like The A-Team (but only a little).

All in all, I enjoyed this one.  It doesn’t make any pretenses in terms of trying to come off as a serious political thriller, nor does it dumb itself down so much that it’s insulting/boring to watch.  Like any of the previously mentioned films, you’re going to see this one because you want to witness completely absurd things unravel before your eyes (heck, even Captain—make that Lieutenant—Sosa, played by Jessica Biel, states flatly that “these guys specialize in the ridiculous”).  Never has a truer statement been uttered. These fellas do things like attach themselves to speeding big-rigs with homemade magnets.  They’re apparently also able to fly tanks.  It’s all extraordinarily entertaining, and, oddly enough, many of these events don’t come off as the overly animated CGI orgies that we’d expect.  Great care was taken to try and add at least a modicum of credibility to the action scenes—to try and make them at least mildly believable, as if they could occur within the physical universe we occupy.  Notice the emphasis on “could.”  We’re not supposed to believe that what we’re seeing is reality, of course, but—as is the case with the plot as a whole—it appears that Carnahan and company didn’t want to completely insult our intelligence.  Notice the emphasis on “completely.”

The A-Team is funny, too.  A wide variety of things from popular culture are referenced with a notable amount of wit, such as the Call of Duty video game series and Braveheart.  The film also benefits from a hilariously self-aware villain named Lynch (Patrick Wilson), a guy who’s constantly rattling off glib observations about the dire situations his enemies find themselves in.

Even though there’s a surprising amount to praise, there are some completely unnecessary subplots that hamper the energy of the film.  I’m guessing these were worked in for the sake of having at least some semblance of character development, but what does having B.A. temporarily decide to follow the teachings of Gandhi, for example, add to anything when he just as easily turns back to his take-no-prisoners mindset after a two second pep-talk from Hannibal?  And, really, does the floundering love story between Face and Captain…er, Lieutenant…Sosa add anything at all to a movie that should only be about explosions, guns, and more explosions?  This doesn’t even take into account the fact that some of the lovey-dovey dialogue between these two is about as wooden as what Padme and Anakin whisper to one another in Attack of the Clones.

But this can be forgiven.  The A-Team is a solid action flick with a respectable plot that doesn’t give in to too many cliches.  Go figure.

redstar114redstar114redstar114redstarhalfout of 5

–Chris Flowers

Check out a trailer for The A-Team:

The Hangover

June 28, 2009

Director: Todd Phillipsthe-hangover-movie-poster-aloofkid-dot-com

Starring: Bradley Cooper, Ed Helms

Release Date: June 5, 2009

Ever since Wedding Crashers, there seems to be a winning Hollywood formula for comedies: include as much shock value/gross out humor as possible, and intermittently sprinkle in some scenes that allow actors to deliver equally shocking (and, of course, witty) dialogue that doesn’t give the audience much chance to catch its breath for the duration of two hours.  The Hangover sticks to this formula in many ways, but it also surpasses it on several levels.  The random, seemingly haphazard nature of the events which occur in The Hangover are just enough to separate the film as a worthwhile entry into the ever-expanding catalogue of R-rated comedies.

If you’ve seen the trailers for The Hangover, you’re already familiar with the plot.  Doug Billings is getting married, and his buddies Phil and Stu have decided to treat him to a pre-wedding weekend bash in Las Vegas.  Also along for the ride is Doug’s soon to be brother-in-law, Alan (more about the brilliant performance of Zach Galifianakis later).  Once there, the group quickly heads out for a night on the town.  When they awaken the next morning, their $4200 per night villa is completely demolished, and there’s a tiger in the bathroom.  Strangely, they have absolutely no memory of the previous evening’s occurrences.  They soon discover that Doug is missing, and realize that in order to find him–and ensure that he’s home in time for his own wedding–they have to play “detective” and figure out exactly what happened.

This is one of the few movies I’ve seen that actually benefits from a plot that feels cobbled together.  It literally seems as if the writers decided that they needed: A) a baby in a cabinet, B) Mike Tyson singing, C) a stolen police car, D) a scene with the main players getting shot with a taser.  All of this serves to highlight the eccentric nature of The Hangover and its characters, especially that of Alan Garner.  Honestly, everyone else in the movie pales in comparison to Alan and his antics, be it his decision to use Carlos the baby as a puppet; his assumption that wearing white pants, a tee shirt, and satchel out onto the casino floor is perfectly acceptable; or his questioning the clerk at the front desk of Caesar’s Palace about whether or not the actual Caesar lives there. Galifianakas delivers each and every one of his lines with an uncanny amount of deadpan wit that you almost feel sorry for everyone else–essentially, they’re all playing the “straight man” to his character.

To avoid revealing too much about the developments in The Hangover, suffice it to say that there’s no way they would’ve ever gotten out of Vegas given the stunts they pull.  The movie is aware of its own ridiculousness, which is perhaps just as well, but I would’ve liked to have seen these guys really sweat things out and get their just desserts.  With the exception of Alan, they all throw a few temper tantrums, but we all know how things will conclude–and, in the end, things do play out exactly as you’d expect them too, making this not quite as risky as, say, another ridiculous, self-aware comedy: Pineapple Express.

So, all of that taken into consideration, what’s the verdict on The Hangover?  It’s funny–at times downright hilarious.  In many ways, we’ve seen it all before, but the quirky nature of Alan–and the seemingly random plot developments–make it stand out.  If you’re looking for a carefree night at the movies, The Hangover is a sure bet.

redstar1redstar1redstar1redstarhalfout of 5

 

–Chris Flowers

Rated R for pervasive language, sexual content including nudity, and some drug material.

He’s Just Not That Into You

February 17, 2009hes_just_not_that_into_you_ver2

Director: Ken Kwapis

Starring: Bradley Cooper, Ginnifer Goodwin

Release Date: February 6, 2009

For Valentine’s Day, I decided that, being the loving husband that I am, I’d take Erica to a movie she wanted to see for once.
Going in, I tried to have an open mind. I genuinely enjoyed Love Actually, and the reviews I’d read of HJNTIY suggested it had some striking similarities. I think I can make this a little more succinct than my typical reviews, so I’ll sum it up in 17 words and then provide some very brief thoughts.

HJNTIY is awkward, sadistic, and ultimately a garbled mess that has no real payoff at its conclusion.

Almost every one of the 6 or so leading characters is borderline psychotic. The movie thinks it’s clever because it identifies some women’s need to sit impatiently by a phone, hoping that a guy she shared a drink with two nights earlier will call, but it comes off as being forced and obnoxious. As a matter of fact, I was hoping that the aforementioned character (whose name slips me, but trust me, it doesn’t really matter) would have her obsessive/complusive hopes for true romance dashed sometime during the final act. Of course, as is the case with most romcoms, the exact opposite happens. This in and of itself isn’t necessarily a bad thing, but it seems like she learns absolutely nothing through the process–she simply takes other people’s advice without thinking, and her soon-to-be-boyfriend falls into her lap in a rather unconvincing way–she has a meltdown at his apartment after she realizes that he’s not initially interested in her, and, by some unexplained miracle, this tantrum makes him realize what an idiot he’s been. Puh-lease.

In addition, various scenes of the film are “spliced” with strangely out of place sequences of random people looking directly into the camera and discussing their own relationship experiences.

Of course, there are one or two funny scenes, but these are few and far between. What seemed to be the ultimate demise of the film is that it tiptoed a fine line somewhere between existing as a comedy and a drama. In the end, it descends into an almost soap-opera-like existence, with one tragedy or triumph constantly (and fairly unrealistically) topping its immediate predecessor.

After the movie ended, Erica wasn’t really all that impressed either (which is, in all honestly, the true death knell of a movie such as HJNTIY). When the intended audience finds it all repetitive and ho-hum, it’s fairly clear that the end is nigh.

Ironically, HJNTIY becomes the very thing its conclusion pretends to rail against–”the rule,” to use its own relationship lingo. In the world of romcoms, it’s a movie that’s certainly not the exception.

redstar1redstarhalfout of 5

–Chris Flowers

Rated PG-13 for sexual content and brief strong language.